**[Jessica Moritz](https://www.cohart.com/jessicamoritz/profile)** is a French-Israeli artist based in Tel Aviv, known for her exploration of order and chaos to create harmonious equilibrium in her work. A graduate of the École Nationale Supérieure des Beaux-Arts in Paris, she has received recognition including the LVMH Young Artist Award and the TAKASAGO Prize. Jessica’s art, inspired by Bauhaus influences, merges color theory with utopian architecture and optical illusions, crafting mindscapes that challenge rational thinking. Dedicated to sustainability, she reclaims materials to create thought-provoking art objects that reflect her commitment to both creativity and environmental consciousness.

Jessica Moritz - 1.JPG

##### Can you walk us through your creative process? Which materials and techniques have become integral to your work?

It all starts with a shape. Sometimes, I draw inspiration from surrounding lights, shadows, or the contours of an object that catches my eye. I reflect on how these moments can be translated into artifacts that evoke a similar perception in others. Much of my work centers on light and its influence on us—it’s a theme that makes inspiration feel both ever-present and deeply connected to broader contexts.

##### What emotions or responses do you hope viewers experience when engaging with your art?

I hope viewers experience my art as a journey—a chance to travel inward and, for a moment, step back from reality. My intention is to create spaces where logic takes a back seat, and reflection becomes intuitive. Art has the power to connect us to personal and collective experiences, bridging the gaps between ourselves and the world around us. By crafting illusions, I invite viewers to see things from different perspectives—reminding us that everything changes depending on where we stand.

##### How do you approach starting a new piece of artwork? Is there a particular routine or mindset that helps you begin?

I always start with an idea of a shape—sometimes sketched in a notebook, other times on a scrap of paper. Over the years, I’ve come to recognize the importance of scale, so I consider the kind of physical connection I want the final piece to evoke. As I primarily work with found materials, I engage in what I call “mind carpentry,” visualizing how to construct the piece, choosing the most appropriate materials, and selecting colors that enhance the shape and surface. Digital simulations often help me test whether the concept holds or needs rethinking before committing to the physical work.

##### How do you handle moments of doubt or insecurity about your work?

When doubt arises, I step back and turn to journaling. Like everyone, I have good days and bad days. I’ve learned that when uncertainty creeps in, it’s often a sign that I need to pause and recharge. I look to fellow artists for inspiration and remind myself that failure is an essential part of growth. Without challenges, it’s hard to discern the strong from the weak in one’s work. Shadow work—the act of questioning and reflecting—enables progress.

##### Do you envision your artistic journey evolving in the coming years?

I envision my practice evolving to engage with larger-scale projects that push the boundaries of my materials and challenge the spaces they inhabit. I’m excited by the prospect of creating public art installations that interact with diverse audiences and environments, as well as collaborating with brands to develop limited-edition works that bring art into everyday life. Expanding into more solo shows remains a priority, providing opportunities to create cohesive narratives and deeper connections with viewers.

##### What lets you know a piece is complete? Is it an instinct, a feeling, or something else?

The process is my favorite part—when the vision comes to life, and everything feels possible. A piece feels complete when the excitement of creating gives way to the meticulous finishing touches. By that point, the initial questions have been answered, and new ones have emerged—signaling it’s time to move on.

##### Does being part of an artistic community impact your work or connection to the art world?

Being part of an artistic community is invaluable. Sharing tips, discussing the realities of the art world, and supporting each other through productive and challenging periods is grounding. We acknowledge the effort behind the work, celebrate successes, and offer solidarity through moments of doubt. These connections create a network of mutual encouragement that fuels creativity and resilience.

##### Have any social expectations or family influences shaped or challenged your identity as an artist?

I’m fortunate to have had a supportive family. My grandfather, the son of a carpenter, was especially inspiring. Watching him skillfully transform materials taught me to see objects not merely for their function but for their potential. His influence instilled in me an appreciation for the stories materials carry, shaping my approach to art and encouraging me to push my creative boundaries. While moments of self-doubt occur, my support system has always been there to help me regain balance and move forward.

##### What’s the most unconventional material or technique you’ve experimented with in your art?

I would say three-dimensional canvases. Each frame is custom-built and stretched to create unconventional shapes that challenge perception. Painting on these uneven surfaces requires precision to maintain sharpness in both colors and forms. Additionally, working with found objects often presents unique challenges. Sometimes I come across a material and don’t immediately know how to transform it into a relevant piece. This process demands patience and respect for the time it takes to let instinct and creativity lead the way, especially since there’s rarely a second chance with such materials.

##### If you could change one aspect of the art world to better support artists, what would it be, and why?

I believe it begins with education. We should cultivate creativity early and foster easier access to artistic development within schools and communities. Another important shift would be to normalize discussions about the economic realities of being an artist. Marketing and business planning are often overlooked in creative fields, yet they’re essential for sustaining a career. A dream without a plan remains just that—a dream.

Jessica Moritz - 2.JPG

large_Blog_Header_QA_Jessica Moritz.png

medium_Blog_Header_QA_Jessica Moritz.png

small_Blog_Header_QA_Jessica Moritz.png

thumbnail_Blog_Header_QA_Jessica Moritz.png

xlarge_Blog_Header_QA_Jessica Moritz.png

xxlarge_Blog_Header_QA_Jessica Moritz.png

Blog_Header_QA_Jessica Moritz.png

Jessica Moritz redefines creativity with sustainable art, color theory, and optical illusions that challenge perception.

Spotlight: Jessica Moritz on Reclaiming Materials and Redefining Creativity

Related

Rooted, Open, Alive: Twelve Chairs Gallery’s Vision for Art in Williamsburg

See 'Perfectly Imperfect' by Bermano at Hamptons Fine Art Fair

Stop Losing Collectors Because You Can't Stay In Touch

'The Collectors of Tomorrow': Insights from Affordable Art Fair's NYC Director

Cohart Community Highlights: Spring 2025 Webinar Recap

Spotlight: Rinat Goren on Capturing Thoughts Through Abstraction

Build a Powerful Cohart Portfolio with Carousels

An Artist's Guide to Processing Commissioned Artworks on Cohart

How Collectors Think: A Conversation with Collector Paul David Henderson

Leveraging Social Media as an Artist: Key Insights from Meredith Walker

Subscribe to our newsletter